I kept it low-key to myself and used it as fuel. I kind of like it because it’s something I fed off of and built off of. That’s not necessarily my lane, but that’s where a lot of the chip comes from with me always feeling overlooked and left out. We haven’t had too much mainstream success. Guru of Gang Starr, people thought he was from New York because he moved to Brooklyn. Edo.G sold a lot of units in the early 90s. It’s dope, we do our thing, but we never really had a humongous industry artist. New York is the home of Hip-Hop and we’re like right there – three and a half hours away. It’s a crabs in a barrel type environment because we’re not New York. I’m from Boston where we have a lot of really good emcees, a lot of really good producers, and deejays. The other people that you think are competition, that’s fabricated. At the end of the day you’re really born alone and die alone in so many ways. Self-pride, over confidence, insecurity, there is no competition, it’s just you versus you. M-Dot: Ego and the Enemy is exactly what it sounds like. TRHH: Explain the title of the new album, Ego and the Enemy. The Real Hip-Hop spoke to M-Dot about his new album, Ego and the Enemy, what it was like working with classic producers, the long process of creating the album, and part two coming in late 2017. The album features production by Buckwild, Marco Polo, KAN, Jon Glass, LX Beats, Khrysis, Hi-Tek, Whatson, Es-K, Soulplusmind, LP2, Snowgoons, Large Professor, and Marley Marl. Over the better part of the last decade the Boston Music Award winning rapper has stayed busy with tons of features and a handful of mixtapes in preparation for his recently released solo project, Ego and the Enemy.Įgo and the Enemy features appearances by Method Man, Dominique Larue, B.A.M., Tribeca, Camp Lo, Jaysaun, and Krumb Snatcha. His passion for the game is evident in his lyrics and in his visual creations. Massachusetts emcee M-Dot loves the art of rap.
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